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pitch pine where the chimney stood
sweet-scented black-birch
where the door-stone was
huckleberries
the bloom rubbed off
in the market cart
Marshall's accompanying text examines the underlying principles shared by Thoreau's very image-driven work and the art of haiku. He argues that this thought experiment helps clarify what makes the best passages in Thoreau so powerful and lays a foundation for a better understanding of the aesthetics of American nature writing.